Français    Search

Interviews - P ... U

Bibliographie analytique réalisée par Makis Solomos.

PAPPALARDO Emanuele, "Iannis Xenakis", Piano Time, Sept.1988, p. 27-30.

PARASKEVAIDIS J., "Iannis Xenakis", Grecia de Ayer, de Hoy y de Siempre, Buenos Aires, June 1967, p. 48-51.

PAULI Hansjörg, "Iannis Xenakis im Gespräch", Schweizerische Musikzeitung n°115, 1975, p. 300-308.

Transcription of an interview given at the Frankfurt radio, where Xenakis speaks of music plus his political thoughts and opinions.

PERROT Michel, "Entretien avec Xenakis", Revue Musicale n°265-266, 1969, p. 61-76.

Xenakis elaborates in length his thoughts about, certain compositional principles plus his "Cosmic City".

PINGUET Francis, "Entretien avec Iannis Xenakis", Revue Musicale n°365-367, 1984, p. 263-287.

An interview on extremely varied subjects: wine tasting, the future of music, etc.

"Le prospecteur infatigable", in Cécile Gilly, Claude Samuel, Acanthes. An XV, Fondettes, Van de Velde, 1991, p. 35-42.

On Xenakis’s life and teaching activities.

RESTAGNO Enzo, "Un'autobiografia dell'autore raccontata da Enzo Restagno", in Enzo Restagno (ed.), Xenakis, Torino, EDT/Musica, 1988, p. 3-70.

Aside from the books by B.A. Varga and F. Delalande as well as the interview with H.L. de la Grange, this is Xenakis’s longest interview, both on his life and work, following chronological order. Several xenakian themes are approached and detailed and new elements are revealed.

REY Anne, "Expliquez-vous Xenakis", Le Monde de la Musique n°71, Oct.1984, p. 34-40.

Contains an interesting passage concerning the change in Xenakis’s attitude regarding mathematical theories and their "use".

REY Anne, "Le progrès, ça n'existe pas", Le Monde, March 26 1992.

A quick overview of Xenakis’s evolution.

ROBINDORÉ Brigitte, "Eskhaté Ereuna : Extending the Limits of Musical Thought -Comments On and By Iannis Xenakis", Computer Music Journal vol.20 n°4, 1996, p. 11-16.

The following subjects are treated: granular synthesis, the GENDY computer program, and more generally, the role of probability in music.

ROTH D., "Iannis Xenakis on new music", Musical Opinions n°99, 1976, p. 514ss.

ROVSING O.M., "Samtale med Xenakis", Dansk Musiktidsskrift n°54, 1980, p. 312-314.

"Samtale med Xenakis" (in Danish), Dansk Musik n°6, May 1980.

SANVOISIN Jean, "Expliquez-vous Xenakis", Le Monde de la Musique n°71, Oct. 1984, p. 34-40.

"Science et société. L'informatique musicale", Pour la science, 1982, p. 10-11.

A few ideas on the relationship between computer science and music.

SEGALINI Sergio, "Xenakis à Lille. Regards sur l'opéra", Opéra International, Nov.1989, p. 8-9.

SELORON F., "La musique lourde de Xenakis", Rock et folk n°39, April.1970, p. 95-98.

"Short answers to difficult questions", Composer vol.2 n°2, Redondo Beach (California), 1970, p. 39-42.

A very interesting interview with John Cage and Lukas Foss.

SICARD Monique, in Autrement, 1994.

SOLOMOS Makis, " Περι τελετουργία" (Concerning rituals), α Μουσικα n°1, Athens, 1997, p. 58-60.

A few words on Xenakis’s eventual relationships to rituals.

SZENDY Peter, "Ici et là. Entretien avec Iannis Xenakis", Les Cahiers de l'IRCAM n°5, 1994, p. 107-113.

On the relationship between Xenakis the architect and Xenakis the composer, and the latter’s use of space.

"Témoignage d'un créateur", Pensée et création, Paris, 1968, p. 78-83.

A few well-known ideas of Xenakis.

"Un homme seul et une musique universelle", Son Magazine n°115, 1980.

"L'univers est un état de perpétuelle création", Le Monde (ed. régionale-Alsace), Sept. 13.1984.

 
Top