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Interviews - K ... M

Bibliographie analytique réalisée par Makis Solomos.

KANACH Sharon, "Intervista esclusiva", La Domanda vol.5, undated (ca.1982), in three parts: 1) n°7, p. 27-29; 2) n°8, p. 20-21; 3) n°9-10, p. 18-20.

KOBATA K., "Musical time is ordering instances" (in Japanese), Kowsakusha+Forum International, 10-08-1979, p. 14-21.

KRAUZE Zygmunt, "Interview with Iannis Xenakis in Kazimierz on the Vistula", Polish Music vol.19 n°3-4, 1984, p. 29-31.

Concerning Master Classes Xenakis gave in Poland.

KRELLMANN Hanspeter, "Durch mathematische Formeln zu kompositorischer Freiheit -Werkstattgespräch mit Iannis Xenakis", Boosey and Hawkes Verlagsnachrichten n°13, 1972, 11p.

A long interview that deals with Xenakis’s life as well as his work.

KRUSE B., Ruud E., "Iannis Xenakis til Norge", Ballade vol.8 n°2, 1984, p. 12-17.

"La musique, ça s'écoute les yeux fermés", Journal des 12èmes Rencontres Internationales de Musique Contemporaine, Metz, Nov.1983, p. 6-7.

"Le miroir du compositeur", Spirales n°6, 1981, p. 20-21.

Concerning a symposium on "sex and language".

LACAVALERIE Xavier, "La planète Xenakis", Télérama n°2203, 1992, p. 50-51..

LACAVALERIE Xavier, "Xenakis, bâtisseur de sons", Télérama n°1655, 1981, p. 16-17.

LECLERC J.M., "L'ordinateur, instrument du XXème siècle", Pédagogiques vol.2 n°2, 1977, p. 13-17.

A few general ideas on music as well as the use of computers and music.

LENFANT Carine, "Si la société était autre un homme ferait plusieurs métiers", Architecture n°7, 1979, p. 38-39.

A few words on architecture.

LIMA Cândido, "Entretien avec Xenakis", Symposium " La composition musicale et l'idée de modernité ", Porto, 1993, unpublished.

LOHNER Henning, "Interview with Xenakis", Computer Music Journal vol.10 n°4, 1986, p. 48-53 (reprinted in German in Musik-Konzepte n°54-55, 1987, p. 83-90).

On Xenakis’s thinking.

LOUBET Emmanuelle, "Das Interview : Iannis Xenakis im Gespräch mit E. Loubet", Musica n°36, 1982, p. 525-530.

Xenakis is asked about several aspects of his work.

LOUPIAS Bernard, "Tout ce qu'on dessine, on l'entend", Le Matin, Nov. 4,1983, p. 29-30.

LYON Raymond, "Propos impromptu", Courrier Musical de France n°48, 1974, p. 130-133.

Xenakis speaks of his past and of his general ideas on music.

M.T., "Entrevista con Iannis Xenakis", Tribuna musical vol.2 n°9, 1966, p. 38-40.

MÂCHE François-Bernard, "Entretien avec Iannis Xenakis", La nouvelle revue française n°43, 1974, p. 121-128 (reprinted in Les malentendus = Revue Musicale n°314-315, 1978, p. 143-150).

Xenakis approaches very diversified subjects.

MÂCHE François-Bernard, "Entretien avec Iannis Xenakis", Revue Musicale n°314-315, 1978, p. 143-150.

Concerning Xenakis’s philosophy of music.

MÂCHE François-Bernard, "Varèse et Xenakis", Revue Musicale n°383-385, 1985, p. 221-224.

On the eventual relationships between Xenakis and Varèse.

MÂCHE François-Bernard, Revault d'Allonnes Olivier, Genuys François, Xenakis Iannis, "Exprimer l'intelligence", "Changer l'homme", "Du bon usage de l'ordinateur", "Rationalité et impérialisme", L'Arc n°51, 1972, p. 17-19, 27-31, 47-49, 56-58.

Reprinted in the second edition of Musique. Architecture, p. 205-223.

MASSON Georges, "‘Un compositeur doit toujours se renouveler’. Xenakis au festival de Metz", Le Républicain Lorrain, Nov. 13,1986, p. 14.

MATTHIEU M., "Dall'architettura alla musica -intervista con Iannis Xenakis", Mondoperaio n°35, 1982, p. 142-144.

MESSIAEN Olivier, RAGON Michel, REVAULT D’ALLONNES Olivier, SERRES Michel, TEYSSEDRE Bernard, "Dialogue avec…", in XENAKIS Iannis, Arts/Sciences. Alliages.

Cf. previous section, "Books".

MEYER Thomas, "L’artiste en choisissant invente une forme nouvelle", Dissonance n°68, Zurich, April 2001, p. 10-17.

An interview given in the middle of the 1980s, when Xenakis went to Zurich. He speaks of freedom, combat, religion, the universe, etc.

Mia suzhthsh me ton Iannh Xenakh stouV DelfouV " discussion with Iannis Xenakis in Delphes IannhV XenakhV, Athens, Sugcronh Epoch 1994, p. 103-120.

Excerpts from a discussion with Fr.-B. Mâche, R. Reynolds, P. Lansky and B. Garton, which took place in 1992 during the Computer Music Conference/Festival, in Delphes: on computers, architecture and many other various subjects.

MÜNCH Christoph, "Musik, Mathematik und chaotische Systeme", Neue Musik-Zeitung vol.40 n°4, 1991, p. 3-4.

 
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