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Interviews - D ... J

Bibliographie analytique réalisée par Makis Solomos.

DELALANDE François, "Il faut être constamment un immigré". Entretiens avec Xenakis, Paris, Buchet-Chastel/INA-GRM, 1997, 188p.

Long and fascinating interviews, recorded in 1981 for the radio. A vast variety of themes is approached. Xenakis speaks with uncanny freedom and delivers many secrets and details about his works and thinking. The author of these interviews divided them into 27 chapters, which facilitates their reading.

DERRIEN Jean-Pierre, Images de la musique française, Paris, Sacem, p. 160-162.

DRILLON Jacques, "Les oreilles de Xenakis", Nouvel Observateur, p. 90.

DRUEY Paul, "Entretien avec Xenakis", Schweizerische Musikzeitung n°110, 1970, p. 38.

Summary of a discussion with Xenakis.

DUFALLO Richard, Trackings, Oxford University Press, New York-Oxford, 1989, p. 171-183.

DULAC M. "Une autre dimension de l'architecture: entretien avec Iannis Xenakis", Architectes n°21, 1971, p. 16-19.

A few words on Xenakis’s architectural works.

DURNEY Daniel and Jameux Dominique, "Rencontres avec Iannis Xenakis", Musique en Jeu n°1, 1970, p. 46-65.

A long interview that covers the following questions: the use of mathematics, technology, performers and the chasm with the public.

EMMERSON Simon, "Xenakis", Music and Musicians n°24, May 1976, p. 24-26.

"Espace musical, espace scientifique", Courrier de l'Unesco n°4, 1986, p. 4-9.

On the relationships between music and architecture and between music and science.

"Entretien", Scoop (Le Journal des Etudiants en Sciences de l'Information) n°1, undated, 1p.

FELDMAN Morton, "A conversation on music", Res n°15, 1988, p. 177-181. In French: "Morton Feldman et Iannis Xenakis en conversation", in Morton Feldman, Ecrits et paroles, Paris, L'Harmattan, 1998, p. 339-349.

A fascinating discussion between two diametrically opposed composers!

FLEURET Maurice, "Xenakis et le disque", in Maurice Fleuret, Xenakis, discothèque de Paris, 1972, p. 59-63.

On the pitfalls and advantages of reproducing music.

FRÉDÉRIC Jean, "Xenakis. Un questionnement perpétuel", CNAC Magazine n°23, Centre National d'Art et de Culture Georges Pompidou, 1984, p. 18-19.

A few general ideas.

FUMAGALLI Tiziana, "La memoria per inventare, la scienza per transformare", Musica Viva n°1, 1981, p. 53-57.

GALLIARI Alin, "Eschyle, un théâtre complet", in Six musiciens en quête d'auteur (collected by Alain Galliari), Paris, Pro Musica, 1991, p. 25-33.

Cf. previous section, "Articles": 1991.

GARDINER B., "Xenakis talks", Music Events n°25, Jan.1970, p. 6-7.

"Interview" (in Japanese), Nikkei architecture n°12-13, 1976, p. 16-19.

GEORGES Michel, "L'univers cosmique de Iannis Xenakis", Le guide musical. Opéra n°641, 1974, p. 6-8.

A very general brief interview.

GRANGE Henri Louis de La, "Entretiens avec Xenakis", unpublished, 1972, 136p. (incomplete transcription).

A very detailed and fascinating interview, full of little known information, especially on Xenakis’s childhood, family and youth. In chronological order, the following subjects are treated: childhood in Rumania; school in Spetses; Athens before the war; the Occupation; the civil war; his exile; his first impressions of France; working with Le Corbusier; the first works.

HARLEY Maria, "Musique, espace et spatialisation",Circuits vol.5 n°2, 1994, p. 9-20.

Xenakis evokes the concept of spatialization and how he has applied it in several works.

"Iannis Xenakis: la tête dans ses ‘nuages’", La Vie Ouvrière n°2026, 1983.

IVRY Benjamin, "The Harmonies of Nature", Newsweek, Jan. 22. 1990, p. 22.

JARRY Hélène, "Un musicien dans sa tour", L'Humanité, Dec. 1,1992, p. 20.

J.D., "Iannis Xenakis, Pythagore dans les galaxies", Le Figaro, Nov. 30, 1992.

"Joindre les deux bouts", Espoirs, Journal du séminaire "Un cocktail d'espoirs", Jouy-en-Josas, March 1988, p. 4-5.

 
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