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Interviews - A ... C

Bibliographie analytique réalisée par Makis Solomos.

(untitled) unpublished interview with Playmen, undated, 17p. typed.

On: a) a few mathematical theories applied to music b) architecture: the Cosmic City and the Philips Pavilion c) a few other ideas.

"A conversation with Xenakis" (in Japanese), Architecture, June 1961, p. 115-118.

ALBÈRA Philippe, in Contrechamps, 1984, p. 79-86.

"A Conversation", in CD Xenakis : Aïs, Gendy 3, Thaurhiphanie, Thalleïn, Neuma Records 450-86, 1990, 16p.

Interview from 1990 with UCSD students (conducted by Roger Reynolds), which deals with very different subjects: performance/interpretation, initial ideas, Brownian movement, politics, etc.

BAKER C., "Xenakis", Club n°33, Jan.1970, p. 25-29.

BARONI Mario, "Problemi di un compositore. Conversazione con Iannis Xenakis", Musica/Realtà n°3, Dec.1980, p. 127-143.

The author questions Xenakis on his evolution.

BEAUDOT A., "Entretien avec Xenakis", in Vers une pédagogie de la créativité, Paris, 1973.

BECKMAN J., "Skabelsens problem. Interview med Iannis Xenakis", Dansk Musik n°59, 1984-1985, p. 192-196.

BLOCH Lise, Alper David, "Iannis Xenakis", in Lise Bloch and David Alper, Artiste et métèque à Paris, Paris, Buchet/Chastel, 1980, p. 343-372.

On Xenakis’s life and exile in Paris.

BOIS Mario, Iannis Xenakis. The man and his music, Boosey and Hawkes: bulletin d'information n°23, Paris, 1967, 40p.

An interview followed by various documents.

BOSSEUR Jean-Yves, Le sonore et le visuel, Paris, Disvoir, 1992, p. 41-50.

On architecture, the polytopes.

BOURGEOIS Jacques, Entretiens avec Iannis Xenakis, Paris, Boosey and Hawkes, 1969, 40p.

The sense of freedom that reigns in this long interview often enables the reader to grasp certain essential aspects of Xenakis’s thinking.

BREMBECK Reinhard, "’Ich komponiere, damit ich mich nicht langweile’. Interview mit Iannis Xenakis " ("I compose in order to avoid boredom"), Fono-Forum vol.37 n°12, 1992, p. 36-38.

CADIEU Martine, "Arborescences", Les Nouvelles Littéraires, Oct. 21. 1974 (reprinted in Martine Cadieu, A l'écoute des compositeurs, Paris, Minerve, 1992, p. 272-274).

Concerning Xenakis’s conception of arborescences.

CADIEU Martine, "Intervista con Iannis Xenakis", Lo Spettatore musicale n°20, Nov.1968, p. 10-12.

CADIEU Martine, "Lignes de forces", Les lettres françaises, Feb. 24. 1966 (reprinted in Martine Cadieu, A l'écoute des compositeurs, Paris, Minerve, 1992, p. 91-96).

A few general ideas.

CAPELLE Anne, "Xenakis, la musique et les ordinateurs", La quinzaine littéraire n°42, March 1968, p. 26-27.

Xenakis explains his stochastic program.

CAUX Daniel, "Xenakis: dominer la technologie de notre époque", L'art vivant, Nov.1972, p. 28-29.

CLAUS Jürgen, "Musik als bewegte Architektur", Kunstreport, Köln, 1980, p. 26-27.

On the polytopes.

"Le CEMAMu de Xenakis", Diapason n°295, 1981.

"Chants de la spirale", Le Monde, Dec. 17, 1984.

COHEN-LÉVINAS Danielle, "La tradition se vit au pluriel", in D. Cohen-Lévinas, Causeries sur la musique, Paris, l’Harmattan, 1999, p. 297-301.

On Xenakis’s relationship to tradition.

"Conversation avec Xenakis" (in Japanses), Architecture, June 1961, p. 115-118.

CORLAIX Omer, GALLET Bastien, "Entretien avec Iannis Xenakis", Musica Falsa n°2, Paris, 1998, p. 29.

A few general and brief comments, including one interesting one on time.

"Créer comme on respire", Panorama Musiques n°37, Sept-Oct.1980.

 
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