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Monographie - E

EICHERT Randolph, Iannis Xenakis und die mathematische Grundlagenforschung, Saarbrücken, Pfau Verlag : Fragmen 5, 1994, 41p.

Réflexion sur la tentative de « fonder » la musique, mise en parallèle avec la question des fondements en mathématiques.

Entretemps n°6 : « Dossier Iannis Xenakis », 1988, p. 57-143.

Cf. les articles de J. Caullier, P. Dusapin, Cl. Helffer, F. Nicolas, J. Vriend et Xenakis.

EXARCHOS Dimitris, Iannis Xenakis and Sieve Theory: An Analysis of the Late Music (1984-1993), Ph.D. dissertation, Goldsmiths College, University of London, 2008, 221 p. + volume d’annexes.

This thesis comprises a theoretical and analytical approach to the late music of Iannis Xenakis. Part I is an investigation of Xenakis’s theory of outside-time musical structures. Part II is preoccupied with Sieve Theory; Xenakis’s analytical algorithm and the sieves of 1980-1993 are explored in Part III, in order to provide a methodology for sieve analysis. The thesis concludes that Xenakis employed Sieve Theory in his late period in order to achieve various degrees of symmetry and periodicity (D. Exarchos).

EXARCHOS Dimitris (ed.), Proceedings of the Xenakis International Symposium, London 1-3 April 2011, www.gold.ac.uk/ccmc/xenakis-international-symposium/programme

Cf. les articles de Pavlos Antoniadis, Antonios Antonopoulos, Anne-Sylvie Barthel-Calvet, Eldon Fayers, James Harley, Peter Hoffmann, Boris Hofmann, Ryo Ikeshiro, Mihu Iliescu, Phivos-Angelos Kollias, Sergio Luque, Matthew Mendez, José Luis Menegotto, Renaud Meric, Kostas Paparrigopoulos, Andreas Skouras, Andriana Soulele, Ronald Squibbs, Stefanos Thomopoulos,

 
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